The Atlantic: "How Actors Create Emotions: A Problematic Psychology"
. . . In truth, cognitive scientists and psychologists have been reluctant to embrace acting as a serious subject of study. But researchers like Thalia Goldstein, an assistant professor of psychology at Pace University, have recently started to investigate the links between the two fields with the idea that both disciplines can be enriched by a study of their commonalities. In a joint paper from Goldstein and Yale professor Paul Bloom, “The mind on stage: why cognitive scientists should study acting,” Goldstein argues that psychologists can look to how actors create emotions in order to understand human nature in a new way.
“I think that at their cores, psychology, cognitive science, and theater are all trying to do the same thing, which is understand why people do the things they do, our range of behavior, and where it comes from,” Goldstein says. “It’s just two different ways of looking at the same question.”